Results for 'Reshma Parveen Musofer'

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  1. On the Genesis, Continuum, and the Lowest Bound of Selves.Reshma Joy - 2024 - JOLMA - The Journal for the Philosophy of Language, Mind, and the Arts 4 (2):243-270.
    In the history of philosophy, the concept of self has been perennially elusive. The philosophical quest to understand the self is rife with phenomenological and metaphysical analyses, often overlooking other kinds of selves present in the biological realm. To systematically explore this question of non-human selves, I categorize the literature on philosophical and biological notions of self into the biogenic, the zoogenic, and the anthropogenic approaches to self. This article attempts to chart the genesis, the continuum, and the lowest bound (...)
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  2. Language Teachers’ Pedagogical Orientations in Integrating Technology in the Online Classroom: Its Effect on Students’ Motivation and Engagement.Russell de Souza, Rehana Parveen, Supat Chupradit, Lovella G. Velasco, Myla M. Arcinas, Almighty Tabuena, Jupeth Pentang & Randy Joy M. Ventayen - 2021 - Turkish Journal of Computer and Mathematics Education 12 (10):5001-5014.
    The present study assessed the language teachers' pedagogical beliefs and orientations in integrating technology in the online classroom and its effect on students' motivation and engagement. It utilized a cross-sectional correlational research survey. The study respondents were the randomly sampled 205 language teachers (μ= 437, n= 205) and 317 language students (μ= 1800, n= 317) of select higher educational institutions in the Philippines. The study results revealed that respondents hold positive pedagogical beliefs and orientations using technology-based teaching in their language (...)
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  3. Review of Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter and The Emptiness of the Image: Psychoanalysis and Sexual Differences. [REVIEW]Peg Brand Weiser, Jo Anna Isaak & Parveen Adams - 1998 - Journal of Aesthetics and Art Criticism 56 (3):299.
    Both books published in 1996 explore the role that gender plays in the psychology of art (dealing with both making and viewing), complicating current philosophical distinctions between the aesthetic and the cognitive, and providing new insights into basic topics in the history and psychology of perception, representation, and disinterestedness.
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